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Kamis, 17 Maret 2011

Jermaine to write Michael Jackson memoir

A memoir by Jermaine Jackson about his brother, Michael, will come out in the autumn, its publishers have announced.
You Are Not Alone: Michael, Through a Brother's Eyes offered "the truth as we know it", Jackson said in a statement.
He said his family did not want the forthcoming trial of Dr Conrad Murray over his brother's death to be "the final word on how he is remembered".
"Everyone has said it all about Michael and us, they cannot say anything more - now it is our turn," he added.

Start Quote

I have read so much about what people think they know about Michael but this is about what really happened”
End Quote Jermaine Jackson
Jermaine Jackson, who was in family band The Jackson 5 with Michael, said he did not want his brother's life or death "to be an eternal mystery".
"I have read so much about what people think they know about Michael but this is about what really happened," he added.
The book said "the things he never got the chance to say", he said.
Publisher Touchstone did not comment on how much the book deal was worth.
Sisters Janet and La Toya Jackson also have books due out this year.
Dr Murray, whose trial is due to begin in May, is accused of involuntary manslaughter and faces up to four years in prison if convicted.
He denies illegally giving Michael Jackson drugs which led to the singer's death in June 2009.

'Spider-Man' to shut down in April, new opening

Broadway's stunt-heavy, $65 million "Spider-Man" musical will shut down for more than three weeks this spring to overhaul the troubled production, a show that has been in previews for a record 102 performances.
Lead producers Michael Cohl and Jeremiah J. Harris said in a statement Friday that "Spider-Man: Turn Off the Dark" would officially open June 14. The show's opening, delayed an astounding six times, was to have opened last on March 15.
The final preview performance before the shut down will be April 17. Performances will be canceled from April 19-May 11, with previews resuming on May 12.
On Wednesday, producers announced that Tony Award-winning director Julie Taymor would no longer direct the show, and a new creative team was brought in to change and polish the flawed musical, which has also been plagued with a series of injuries to cast members.
It was a stunning development for the heralded director of "The Lion King," a megahit that is No. 3 at the box office more than a decade after it opened. Taymor, known for her bold and creative artistic vision, is believed to have been pushed aside because she wouldn't accept the need for outside help and significant changes to "Spider-Man," which she co-wrote with Glen Berger.
Though producers said Taymor, 58, would remain part of the creative team, she was being replaced as director by Philip William McKinley ("The Boy From Oz," in 2003). Also on the new team was Roberto Aguirre-Sacasa, who worked on HBO's "Big Love" and has written for Marvel comics, to help with revisions to the show's script, and musical consultant Paul Bogaev and sound designer Peter Hylenski.
"Spider-Man" has music by U2's Bono and The Edge, who indicated Wednesday that they planned some new tunes for the show.
Many theater critics got fed up with the constant delays in opening the show and reviewed it, largely panning it.
But "Spider-Man" continues to defy the reviews and post impressive numbers at the box office. It was the second highest-grossing show on Broadway this week, after "Wicked," pulling in close to $1.3 million - though it was slightly down from the week before.
Unlike "Wicked," tickets to "Spider-Man" are now available at the discount TKTS booth - a possible reason that total grosses slipped last week.
Producers said ticket-holders will be able to either exchange or return their tickets for a refund, if purchased from the box office at the Foxwoods Theatre or through Ticketmaster. Those who bought tickets from other vendors should contact the outlet, producers said.

The thousand faces of Jacques Mesrine

Crime saga portraying the story of a vicious underworld gangster who murders without remorse and plays games with law enforcement officers.

Some might wonder why we should be willing to spend our time watching a person commit horrendous acts of brutality.

Perhaps the answer is that we all have a fascination for seeing how criminals are able to escape from high-security prisons and elude the inevitable chasing police.

Some of the most renowned gangster films are Goodfellas, a 1990 film which centers around Henry Hill, a gangster who rises to the very top of the mob; The Untouchables, the story of famous mafioso Al Capone, who is chased by federal agent Eliot Ness; American Gangster, a 2007 flick which tells the story of Frank Lucas, a heroin king from Manhattan; and Public Enemies, which is about notorious American gangster John Dillinger in the 1930s.

The movies have become favorites of movie buffs and attracted the very top actors, including Robert De Niro, Ray Liotta, Johnny Depp and Denzel Washington.

French director/script writer Jean-François Richet brings the biography of one of the country’s legendary criminals Jacques Mesrine to the big screen through a film duology: Mesrine: Killer Instinct and Mesrine: Public Enemy # 1.

Never heard of Mesrine? He was an infamous criminal who carried out bank robberies, murders, kidnappings, identity changes and prison breaks.

The 2008 critically acclaimed film was a huge success in France, earning 10 nominations at the César Awards, the country’s highest honor in film, winning for best actor and best director.

Moviegoers in Indonesia have to wait for three years before they can watch the second part of the crime saga (I thought this was the second part), titled Mesrine: Public Enemy No. 1, also known as Public Enemy Number One: Part Two or L’Ennemi public n° 1, on the cinema.

In Part 2, Mesrine gets a new label “public enemy” as he continues robbing banks and displaying his ability to evade the law.

French police commissioner Broussard (played by Olivier Gourmet) leads the task- force and relentlessly tails the villain until he finally arrests his quarry.

This time, Mesrine is sent to La Sante prison, where he befriends François Besse (Mathieu Amalric), an inmate who is categorized as a dangerous man as he has made several successful prison escapes.

Together with Besse, Mesrine once again plans and pulls off another daring escape before masterfully donning a series of disguises to evade his pursuers.

After freeing themselves from the maximum-security prison, Mesrine and Besse start working together, moonlighting in the world of crime.

Besse is the opposite of the flamboyant Mesrine who has completely different goals from Mesrine. Besse is a quiet, secretive criminal who takes time and care in drawing up his plans.

Besides having a new partner in crime, Mesrine also becomes involved with a new attractive woman named Sylvia (Ludivine Sagnier), who he accidentally meets on the street.

Mesrine, who defines himself as a savior from the tyranny of the banks, plays to the media to maintain his “popularity”.

He transforms himself into a formidable man of a thousand faces and a master of prison-escapes.

Mesrine’s looks and appearances continually change as he performs his crimes in the guise of a myriad of different faces and characters. His ruthlessness, however, becomes startlingly absent when he is with his beloved daughter.

This film still highlights the adventures of Mesrine as a fugitive who aims to maintain his place as the number one gangster in the country.

Even though you will have a greater understanding of the events if you have watched the first film in the duology, the film was designed as a stand-alone and is thus fully comprehensible when viewed on its own.

Vincent Cassel, long known for his bold choice of roles, is definitely the heart beat of the film.

He brilliantly portrays the Mesrine character — a confident, arrogant, egomaniac, narcissist and a charming womanizer as well. He also piled on the kilos to accurately portray the escape artist.

For his remarkable portrayal as Mesrine, Cassel also bagged Best Actor awards at the Lumiere Awards, the Etoile D’Or and the Tokyo International Film Festvial.

Cassel, who began his career in France in 1988, rose to fame when he starred in Mathieu Kassovitz’s La Haine as a troubled youth in Paris.

His popularity in France took him to Hollywood, where he appeared in various English-language films, including Jefferson in Paris, Elizabeth, Derailed, Eastern Promises, and the most recent Oscar-nominated film Black Swan, in which he plays a merciless ballet choreographer.

Verdict: You will be stunned by the slickness of this notorious villain, who easily escapes from prison and hides behind a series of disguises.

http://www.thejakartapost.com/news/2011/03/13/the-thousand-faces-jacques-mesrine.html

Painting a good country image through jazz

For some people calling Indonesia a Mecca for jazz music might not be an overstatement.
Eki Puradiredja, program director of one of the biggest jazz festivals in Indonesia, the International Java Jazz Festival, said on closing night of the music event that a lot of local and international jazz musicians view Indonesia that way.
Various jazz festivals, including Java Jazz festival that ended last weekend, exceptional jazz musicians and a big following of jazz enthusiasts help make the country fit into that mold.
One of the men that contributed in developing a lively jazz scene in Indonesia is businessman and jazz aficionado Peter F. Gontha. Founder of Jakjazz and then Java Jazz festival, he has worked tirelessly in organizing local and international jazz events.
The reason behind his dedication is — beside his definite passion for jazz — his love for the country.
Java Jazz is Peter’s way to shape the image of Indonesia as a safe and peaceful country — with people who love music and can cater to international musicians’ needs.
Each year, Java Jazz has a positive tagline for Indonesia. In the first year of the festival, the organizers made the festival tagline “Bringing The World to Indonesia” — with James Brown and George Duke as the crowd drawers. Last year, when John Legend and Tony Braxton were the highlight of the festival, the organizers stamped “Jazzin’ Up Remarkable Indonesia” as the tagline. And this year’s tagline was “Harmony under one nation in remarkable Indonesia”.
“Indonesia should not forever be the audience. The world has to see Indonesia,” Peter said in a press conference prior to the Java Jazz Festival.
To jazz expert Denny Syakrie, Peter said in a 2008 interview, that he created the Java Jazz festival because he was upset with the world. “Because Indonesia was perceived as an extremist country, a hotbed for terrorirst, number one corrupt country, a country with a lot of debt, It’s the worse,” he said as quoted by denny.
The first java jazz was held in 2005. Indonesia has been on the news in years prior to that for stories on terrorist bombings.
He told Denny that he personally persuaded international jazz musicians to come to Indonesia. He invited the musicians to his house in Los Angeles and also set up a jazz festival in California called Temecula jazz Valley International Jazz Festival, in which he would tell the musicians there about Java Jazz.
This year, Peter during the press conference said that he has passed the baton on the festival organizing to his daughter Dewi Gontha. “Practically everything is now taken care of by her and the team,” he said.
The Java Jazz organizing team includes Dewi as president director, and Eki and Paul Dankmeyer as program directors.
The Java Jazz Festival has attracted many visitors and international musicians over the year. This year, around three months before the show starts, Peter said that 150,000 tickets had been sold. Eki said that looking at the crowd, he estimated around 45,000 to 65,000 people attended a day.
Due to the increasing number of visitors the organizers took the bold move to move the venue from downtown Senayan at the Jakarta Convention Center, to a bigger venue, further away, in Kemayoran, North Jakarta, at the JI Expo center.
Entering its seventh year, big local and international names of jazz and pop musicians have braced the Java Jazz stage. Incognito, Manhattan Transfer, Lee Ritenour, Roy Hargrove to John Legend, Tony Braxton and Jason Mraz are the eclectic mix of artists to lure both jazz enthusiasts and those who are merely curious about the genre.
This year, the organizers managed to get guitarist Santana to the stage. Peter said that he had been luring the Mexican-American to come to the festival since the festival’s first year. The guitarist gave a show worth waiting for. Jazz singer and guitarist George Benson was also an audience favorite this year with his everlasting hit single Nothing’s Gonna Change My Love for You mesmerizing the crowd.
Eki said that he was  very pleased with this year’s Java Jazz event, especially the enthusiasm expressed by the audience weeks before the festival started.“When we see that sort of spirit, we work more enthusiastically as well,” he said.
Despite the continuous success of the festival, Eki said that there were still many things to improve.
“We have to conduct thorough evaluations each year to be able to make sure the next one is even better,” Eki said.

http://www.thejakartapost.com/news/2011/03/15/painting-a-good-country-image-through-jazz.html

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